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L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE
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L_ORIGINE_DE_LA_SCULPTURE_OU_PYGMALION_PRIANT_VENUS_D_ANIMER_SA_STATUE
Date 1786
Medium peinture X l'huile ; toile
Dimensions 120 X 140 cm (47.24 X 55.12 in)
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Portrait of Jean-Pierre Bachasson, comte de Montalivet
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Portrait_of_Jean-Pierre_Bachasson,_comte_de_Montalivet
1810(1810)
Oil on canvas
216 ?? 141 cm (85 ?? 55.5 in)
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Socrate arrachant Alcibiade du sein de la Volupte
new24/Baron Jean-Baptiste Regnault-984774.jpg
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Socrate_arrachant_Alcibiade_du_sein_de_la_Volupte
Oil on canvas, 1791.
H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
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L'education d'Achille par le centaure Chiron
new24/Baron Jean-Baptiste Regnault-487489.jpg
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L'education_d'Achille_par_le_centaure_Chiron
L'Éducation d'Achille par le centaure Chiron (Achilles educated by Chiron). Oil on canvas, 1782.
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Socrate arrachant Alcibiade du sein de la Volupte
new24/Baron Jean-Baptiste Regnault-699646.jpg
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Socrate_arrachant_Alcibiade_du_sein_de_la_Volupte
Socrate arrachant Alcibiade du sein de la Voluptx (Socrates Tears Alcibiades from the Embrace of Sensual Pleasure). Oil on canvas, 1791.
Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
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Baron_Jean-Baptiste_Regnault
Paris 1754-1829
French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
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