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Socrate arrachant Alcibiade du sein de la Volupte
new24/Baron Jean-Baptiste Regnault-549735.jpg
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Socrate_arrachant_Alcibiade_du_sein_de_la_Volupte
Oil on canvas, 1791.
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Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
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Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure
new25/Baron Jean-Baptiste Regnault-385375.jpg
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Regnault_Socrates_Tears_Alcibiades_from_the_Embrace_of_Sensual_Pleasure
Oil on canvas, 1791
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Socrates Tears Alcibiades from the Embrace of Sensual Pleasure
new25/Baron Jean-Baptiste Regnault-954576.jpg
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Socrates_Tears_Alcibiades_from_the_Embrace_of_Sensual_Pleasure
Oil on canvas, 1791.
Date
Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
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The judgement of paris
new25/Baron Jean-Baptiste Regnault-848865.jpg
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The_judgement_of_paris
1820(1820)
Medium oil on canvas
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The Education of Achilles
new25/Baron Jean-Baptiste Regnault-898979.jpg
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The_Education_of_Achilles
1782(1782)
Medium oil on canvas
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Baron_Jean-Baptiste_Regnault
Paris 1754-1829
French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
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