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Red Pergola with Dog
new12/Max Slevogt-979993.jpg
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Red_Pergola_with_Dog
mk141
1897
Oil on cardboard mounted on Wood
68.2x98.1cm
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Penthesilea
new16/Max Slevogt-958782.jpg
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Penthesilea
mk184
]1905/06
chalk-and Tuschlithographie on carton 29x41.2cm
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Symbols of the time as well as long yet
new16/Max Slevogt-998567.jpg
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Symbols_of_the_time_as_well_as_long_yet
mk184
Lithographie
45x34.5cm
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Selbstbidnis with hat and cane
new16/Max Slevogt-739626.jpg
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Selbstbidnis_with_hat_and_cane
mk184
1908
Lithographie
31.3x29.9cm
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Dacne of Death
new19/Max Slevogt-366647.jpg
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Dacne_of_Death
mk235
1896
Oil on canvas
102x123cm
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Max_Slevogt
German Impressionist Painter, 1868-1932
German painter, printmaker and illustrator. His father, adjutant and friend of the future Prince Regent, Luitpold (1821-1912), died when Slevogt was just two years old. His mother moved to Werzburg, where he spent his schooldays. Even in his childhood and adolescence, family connections brought Slevogt to Pfalz, to an aunt in Landau and to the Finkler family in Neukastel. Initially he had planned to become a musician, but he began to study painting at the Akademie der Bildenden Kenste in Munich in 1885. His fellow students included Gabriel von Hackl (1843-1926), Karl Raupp (1837-1918), Ludwig Herterich (1856-1932) and Wilhelm von Diez (1839-1907). In 1889 he spent a term at the Academie Julian in Paris. At that time Impressionism had very little effect on him. Following a trip to Italy in 1890 with the painter Robert Breyer (1866-1941) who had befriended him at the Akademie, he began to work independently as a painter in Munich. In 1893 he participated in the first exhibition of the newly founded Munich Secession, exhibiting Wrestling School (1893; Edenkoben, Schloss Villa Ludwigshehe); the judges wanted to refuse this painting as immoral since its entwined and naked men caused offence. In the following years his paintings often appeared harsh and non-academic to conservative Munich circles. At this time Slevogt also made contributions to the journals Jugend and Simplizissimus, which were significant in the development of his graphic work.
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