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Portrait of Julius Freund
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Portrait_of_Julius_Freund
1925(1925)
Oil on canvas
110 x 81 cm (43.3 x 31.9 in)
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Portrait of Julius Freund
new24/Max Slevogt-538958.jpg
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Portrait_of_Julius_Freund
1925(1925)
Medium Oil on canvas
Dimensions 110 x 81 cm (43.3 x 31.9 in)
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Unter einem Baum
new24/Max Slevogt-798584.jpg
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Unter_einem_Baum
Date 1901(1901)
Medium Oil on canvas
Dimensions 58.5 x 76.5 cm (23 x 30.1 in)
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Familie Slevogt im Garten von Godramstein
new25/Max Slevogt-843455.jpg
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Familie_Slevogt_im_Garten_von_Godramstein
Medium Oil on canvas
Dimensions 160 x 200 cm (63 x 78.7 in)
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Heide und Baume
new25/Max Slevogt-595966.jpg
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Heide_und_Baume
Date 1910(1910)
Medium Oil on canvas
Dimensions 70.2 x 60.2 cm (27.6 x 23.7 in)
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Max_Slevogt
German Impressionist Painter, 1868-1932
German painter, printmaker and illustrator. His father, adjutant and friend of the future Prince Regent, Luitpold (1821-1912), died when Slevogt was just two years old. His mother moved to Werzburg, where he spent his schooldays. Even in his childhood and adolescence, family connections brought Slevogt to Pfalz, to an aunt in Landau and to the Finkler family in Neukastel. Initially he had planned to become a musician, but he began to study painting at the Akademie der Bildenden Kenste in Munich in 1885. His fellow students included Gabriel von Hackl (1843-1926), Karl Raupp (1837-1918), Ludwig Herterich (1856-1932) and Wilhelm von Diez (1839-1907). In 1889 he spent a term at the Academie Julian in Paris. At that time Impressionism had very little effect on him. Following a trip to Italy in 1890 with the painter Robert Breyer (1866-1941) who had befriended him at the Akademie, he began to work independently as a painter in Munich. In 1893 he participated in the first exhibition of the newly founded Munich Secession, exhibiting Wrestling School (1893; Edenkoben, Schloss Villa Ludwigshehe); the judges wanted to refuse this painting as immoral since its entwined and naked men caused offence. In the following years his paintings often appeared harsh and non-academic to conservative Munich circles. At this time Slevogt also made contributions to the journals Jugend and Simplizissimus, which were significant in the development of his graphic work.
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