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Alegoria sobre la vendimia
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Alegoria_sobre_la_vendimia
Date c. 1900(1900)
Medium Oil on canvas
Dimensions 55 x 78 cm (21.7 x 30.7 in)
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Emparrado
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Emparrado
Date 1912(1912)
Medium Oil on canvas
Dimensions 50 x 65.3 cm (19.7 x 25.7 in)
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Retrato de Dona Teresa Martenez
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Retrato_de_Dona_Teresa_Martenez
1872(1872)
Medium Oil on canvas
Dimensions 63.2 x 48.5 cm (24.9 x 19.1 in)
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Enamorados
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Enamorados
1878(1878)
Medium Oil on canvas
Dimensions 29 x 35 cm (11.4 x 13.8 in)
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Senora de Alvarez
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Senora_de_Alvarez
1912(1912)
Medium Oil on canvas
Dimensions 75.3 x 100.5 cm (29.6 x 39.6 in)
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Ignacio_Pinazo_Camarlench
Spanish painter , 1849-1916
was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.
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