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Figura femenina sentada
new25/Ignacio Pinazo Camarlench-798954.jpg
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Figura_femenina_sentada
Date 1880(1880)
Medium Oil on canvas
Dimensions 19 x 15.3 cm (7.5 x 6 in)
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Interior de alquerea valenciana
new25/Ignacio Pinazo Camarlench-538485.jpg
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Interior_de_alquerea_valenciana
1899(1899)
Medium Oil on canvas
Dimensions 44 x 62 cm (17.3 x 24.4 in)
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Self-portrait
new25/Ignacio Pinazo Camarlench-868634.jpg
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Self-portrait
1889(1889)
Medium Oil on canvas
Dimensions 66.3 x 49 cm (26.1 x 19.3 in)
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Alegorea sobre la vendimia
new25/Ignacio Pinazo Camarlench-874368.jpg
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Alegorea_sobre_la_vendimia
1900(1900)
Medium oil on canvas
Dimensions 55 x 78 cm (21.7 x 30.7 in)
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Emparrado
new25/Ignacio Pinazo Camarlench-396884.jpg
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Emparrado
1912(1912)
Medium oil on canvas
Dimensions 50 x 65.3 cm (19.7 x 25.7 in)
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Ignacio_Pinazo_Camarlench
Spanish painter , 1849-1916
was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.
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