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Das Madchen,das ich Zurucklieb
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Das_Madchen,das_ich_Zurucklieb
mk181
vor 1875
Ol auf Leinwand
106.7x88.7cm
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The Letter Home
new17/Eastman Johnson-244988.jpg
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The_Letter_Home
mk195
1867
Oil on composition board
23x27
Musuem of Fine art
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A Ride for Liberty-The Fugitive Slaves
new17/Eastman Johnson-885224.jpg
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A_Ride_for_Liberty-The_Fugitive_Slaves
mk195
1862
Oil on board
22x26
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The Pension Agent
new17/Eastman Johnson-992327.jpg
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The_Pension_Agent
mk195
1867
Oil on canvas
25x37
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Negro life at the South
new18/Eastman Johnson-734577.jpg
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Negro_life_at_the_South
mk212
Oil on canvas
36x45in
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Eastman_Johnson
American portrait and genre painter, 1824-1906
American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects
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