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A Ride for Liberty -- The Fugitive Slaves
new23/Eastman Johnson-566747.jpg
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A_Ride_for_Liberty_--_The_Fugitive_Slaves
between 1860(1860) and 1864(1864)
Oil on paper board
55.8 x 66.4 cm (21.97 x 26.14 in)
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The Sugar Camp
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The_Sugar_Camp
"The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn.
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Fugitive Slaves
new24/Eastman Johnson-537466.jpg
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Fugitive_Slaves
Date between 1860(1860) and 1864(1864)
Medium Oil on paper board
Dimensions 55.8 X 66.4 cm (21.97 X 26.14 in)
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Sugar Camp
new24/Eastman Johnson-555835.jpg
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Sugar_Camp
English: "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn.
Date circa 1861-1866
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Negro Life at the South
new24/Eastman Johnson-569348.jpg
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Negro_Life_at_the_South
Negro Life at the South - Oil on canvas - 36 x 45.25 in
Date 1859(1859)
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Eastman_Johnson
American portrait and genre painter, 1824-1906
American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects
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