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Too Early
James Tissot26.jpg
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Too_Early
1873
Guildhall Art Gallery, London
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The Captain's Daughter
James Tissot27.jpg
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The_Captain's_Daughter
1873
Southampton City Art Gallery
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The Last Evening
James Tissot28.jpg
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The_Last_Evening
1873
Guildhall Art Gallery, London
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The Two Sisters;Pprtrait
James Tissot19.jpg
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The_Two_Sisters;Pprtrait
or Prtraits in a Park
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Meeting of Faust and Marguerite
James Tissot20.jpg
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Meeting_of_Faust_and_Marguerite
1860(Salon of 1861)
2' 6 3/4'' x 3' 10''(78 x 117cm)
RF 1983-93
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James_Tissot
French Painter, 1836-1902
French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.
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