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The fashionable woman in contemporary Socicty (nn01)
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The_fashionable_woman_in_contemporary_Socicty_(nn01)
as exemplified by At the Rifle Range (1869)
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Jeune Fille en Veste Rouege Young Woman in A Red Jacket (nn01)
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Jeune_Fille_en_Veste_Rouege_Young_Woman_in_A_Red_Jacket_(nn01)
Oil on canvas,48 3/4 x 39 1/4 in/124.0 x 100 cm
Musee d'Orsay,Paris
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Le Printemps (spring) (nn01)
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Le_Printemps_(spring)_(nn01)
Oil on canvas (laid on panel)35 1/2 x 50 in/90.2 x 127 cm
Private collection
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L'Escalier (The Staircase) ((nn01)
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L'Escalier_(The_Staircase)_((nn01)
Oil on canvas,20 x 14 in/50.8 x 35.6 cm
Sutton Place Foundation
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Jeunes Femmes Regardant Des Objets Japonais (Young Ladies Looking At Japanese Objects) (nn01)
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Jeunes_Femmes_Regardant_Des_Objets_Japonais_(Young_Ladies_Looking_At_Japanese_Objects)_(nn01)
oil on canvas,28 x 20 in/71.1 x 50.8 cm
Cincinnati Art Museum,Gift of Henry M.Goodyear,MD
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James_Tissot
French Painter, 1836-1902
French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.
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