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Portrait of a Young Venetian Woman (mk08)
new6/Albrecht Durer-987784.jpg
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Portrait_of_a_Young_Venetian_Woman_(mk08)
1505
Oil on wood,
35x26cm
Vienna,Kunsthistorisches Museum
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Four Apostles (mk08)
new6/Albrecht Durer-483964.jpg
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Four_Apostles_(mk08)
1526
Oil on wood
Munich,Bayerische Staats-gemaldesmmlungen,Alte Pinakothek
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The Nativity (mk08)
new6/Albrecht Durer-978384.jpg
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The_Nativity_(mk08)
c.1502-1504
Tempera on wood
155x126cm
Munich,Bayerische-Staatsgemalde-sammlungen,Alte Pinakothek
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The Adoration of the Trinity (mk08)
new6/Albrecht Durer-365335.jpg
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The_Adoration_of_the_Trinity_(mk08)
1511
Oil tempera on wood
135x123cm
Vienna,Kunsthistorisches Museum
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Self-Portrait (mk10)
new7/Albrecht Durer-539267.jpg
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Self-Portrait_(mk10)
1493,Oil on parchment Mounted on canvas
56 x 44 cm
Paris,Musee du Louvre
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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