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Self-Portrait with Gloves (nn03)
new8/Albrecht Durer-522352.jpg
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Self-Portrait_with_Gloves_(nn03)
1498
Oil on panel 52 x 41 cm 20 1/2 x 16 1/8 in Museo del Prado Madrid
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Hieronymus Holzschuher (mk45)
new2/Albrecht Durer-688333.jpg
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Hieronymus_Holzschuher_(mk45)
1526
Oil on panel.
48x26cm
Berlin,Staatliche Museen zu Beelin-Prubischer Kulturbesitz,Gemaldegalerie
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Self-Portrait (mk45)
new2/Albrecht Durer-468692.jpg
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Self-Portrait_(mk45)
1498
Oil on panel
52x41cm
Madrid,Museo Nacional del Prado
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Melancholia I (MK45)
new2/Albrecht Durer-279876.jpg
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Melancholia_I_(MK45)
1514
Copperplate engraving
23.9X16.8cm
Berlin,Staatliche Museen zu Berlin-Preubischer Kulturbesitz,Kupferstichkabinett
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Self-Portrait (mk45)
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Self-Portrait_(mk45)
1493
Parchment on panel
56.5x44.5cm
Paris,Musee du Louvre
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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