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Into the Mine
new16/Diego Rivera-368393.jpg
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Into_the_Mine
mk117
1923
350x474cm
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Burn the Judas
new16/Diego Rivera-363355.jpg
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Burn_the_Judas
mk117
1923-1924
214x443cm
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Dancing
new16/Diego Rivera-628253.jpg
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Dancing
mk117
1923-1924
363x468cm
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Sharpener
new16/Diego Rivera-773268.jpg
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Sharpener
mk117
1924
90x116cm
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Portrait of Rivera
new16/Diego Rivera-286696.jpg
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Portrait_of_Rivera
mk117
1937
Oil on canvas
53x39cm
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Diego_Rivera
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.
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