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Creep the Crag
new16/Diego Rivera-574695.jpg
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Creep_the_Crag
mk117
1930
435x254cm
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Virgin
new16/Diego Rivera-274735.jpg
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Virgin
mk117
1926-1927
354x588cm
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No title
new16/Diego Rivera-725879.jpg
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No_title
mk117
1926-1927
244x491cm
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The Power from underground
new16/Diego Rivera-355294.jpg
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The_Power_from_underground
mk117
1926-1927
354x555cm
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woman cleaning and eagle
new16/Diego Rivera-933856.jpg
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woman_cleaning_and_eagle
mk117
1928
42.9x55.9cm
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Diego_Rivera
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.
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