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Equestrian Portrait of Charles V
new3/Titian-872348.jpg
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Equestrian_Portrait_of_Charles_V
mk61
1548
Oil on canvas
332x279cm
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Venus and Adonis
new3/Titian-227288.jpg
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Venus_and_Adonis
mk60
1553-1554
Oil on canvas
186x207cm
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St Mary Magdalene
new3/Titian-642933.jpg
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St_Mary_Magdalene
c 1530-1535
Oil on wood 84 x 69 cm
Florence Palazzo Pitti Galleria Palatina (mk64)
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Venus Anadyomenes
new3/Titian-774978.jpg
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Venus_Anadyomenes
1525
Oil on canvas 73.6 x 58.4 cm
Edinburgh Duke of Sutherland Collection on loan to the National Gallery of Scotland (mk64)
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Tityus
new3/Titian-746563.jpg
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Tityus
mk61
1549
Oil on canvas
253x217cm
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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