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Portrait of Francesco Maria della Rovere
new3/Titian-433927.jpg
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Portrait_of_Francesco_Maria_della_Rovere
mk65
Oil on canvas
44 7/8x4 9/16in
Uffizi,Gallery,
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The Concert
new3/Titian-682456.jpg
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The_Concert
mk65
Oil on canvas
341/16x48 5/8in
Pitti,Palatine Gallery
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Portrait of a Man
new3/Titian-268778.jpg
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Portrait_of_a_Man
mk65
Oil on canvas
31 7/8x23 5/8in
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Portrait of Pietro Aretino
new3/Titian-283545.jpg
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Portrait_of_Pietro_Aretino
mk65
Oil on canvas
38 1/16x30 9/16in
Pitti,Palatine Gallery
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Mary Magdalen
new3/Titian-282623.jpg
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Mary_Magdalen
mk65
Oil on panel
33 1/16x27 3/16in
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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