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Apollo Flaying Marsyas
new18/Jusepe de Ribera-387833.jpg
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Apollo_Flaying_Marsyas
1637
Oil on canvas,
202 x 255 cm
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clubfooted boy
new18/Jusepe de Ribera-225853.jpg
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clubfooted_boy
1642
Oil on canvas,
164 x 92 cm
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Jacob Receives Isaac-s Blessing
new18/Jusepe de Ribera-357479.jpg
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Jacob_Receives_Isaac-s_Blessing
1637
Oil on canvas,
129 x 289 cm
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The Duel of Isabella de Carazzi and Diambra de Pottinella
new18/Jusepe de Ribera-394729.jpg
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The_Duel_of_Isabella_de_Carazzi_and_Diambra_de_Pottinella
1636
Oil on canvas,
235 x 212 cm
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The Holy Family with St Catherine
new18/Jusepe de Ribera-398357.jpg
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The_Holy_Family_with_St_Catherine
1648
Oil on canvas
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Jusepe_de_Ribera
1591-1652
Spanish
Jusepe de Ribera Galleries
Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy.
In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces.
Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.
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