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St John the Baptist in the Desert
new16/GHIRLANDAIO, Domenico-856334.jpg
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St_John_the_Baptist_in_the_Desert
1486-90
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Marriage of Mary
new16/GHIRLANDAIO, Domenico-443388.jpg
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Marriage_of_Mary
1486-90
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Meeting of Augustus and the Sibyl
new16/GHIRLANDAIO, Domenico-442877.jpg
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Meeting_of_Augustus_and_the_Sibyl
c. 1485
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Obsequies of St Francis
new16/GHIRLANDAIO, Domenico-334585.jpg
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Obsequies_of_St_Francis
1482-85
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Preaching of St John the Baptist
new16/GHIRLANDAIO, Domenico-643374.jpg
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Preaching_of_St_John_the_Baptist
1486-90
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GHIRLANDAIO,_Domenico
Italian Early Renaissance Painter, 1449-1494
Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);
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