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Slaughter of the Innocents
new16/GHIRLANDAIO, Domenico-383568.jpg
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Slaughter_of_the_Innocents
1486-90
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Resurrection of the Boy
new16/GHIRLANDAIO, Domenico-833437.jpg
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Resurrection_of_the_Boy
1482-85
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Death and Assumption of the Virgin
new16/GHIRLANDAIO, Domenico-644266.jpg
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Death_and_Assumption_of_the_Virgin
1486-90
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St Matthew the Evangelist
new18/GHIRLANDAIO, Domenico-833582.jpg
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St_Matthew_the_Evangelist
1486-90
Fresco Cappella Tornabuoni
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Detail of the Adoration of the Magi
new19/GHIRLANDAIO, Domenico-942226.jpg
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Detail_of_the_Adoration_of_the_Magi
nn09
1488
Tempera on wood
285x240cm
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GHIRLANDAIO,_Domenico
Italian Early Renaissance Painter, 1449-1494
Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);
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