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Portrait of Henry Cecil, 1st Marquess of Exeter (1754-1804) with his wife Sarah, and their daughter, Lady Sophia Cecil
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Portrait_of_Henry_Cecil,_1st_Marquess_of_Exeter_(1754-1804)_with_his_wife_Sarah,_and_their_daughter,_Lady_Sophia_Cecil
ca. 1794
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George III of the United Kingdom
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George_III_of_the_United_Kingdom
1792
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Portrait of Frederick H. Hemming
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Portrait_of_Frederick_H._Hemming
Portrait of Frederick H. Hemming, c. 1824?C25, oil on canvas painting by Thomas Lawrence, Kimbell Art Museum.
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Portrait of Princess Caroline Ferdinande of Bourbon-Two Sicilies Duchess of Berry.
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Portrait_of_Princess_Caroline_Ferdinande_of_Bourbon-Two_Sicilies_Duchess_of_Berry.
1825(1825)
Oil on canvas
71 x 91 cm (28 x 35.8 in)
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Self-portrait
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Self-portrait
1787-1788
Oil on canvas
59 x 50 cm (23.2 x 19.7 in)
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Sir_Thomas_Lawrence
1769-1830
British
Sir Thomas Lawrence Galleries
was a notable English painter, mostly of portraits.
He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.
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