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The church of Marissel
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The_church_of_Marissel
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1867 Presented in the Salon of 1867, Was another of the large exitos that sprinkled the ultimos anuses of Corot.
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The bell tower of Doual
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The_bell_tower_of_Doual
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1871 Corot I paint this view from the window of a habitacion in Douai during Long sessions in which not admitia views that distracted him.
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Entrance of Coubron
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Entrance_of_Coubron
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Toward 1874 Since 1867 Corot maintained in this place close to Beauvais a study in the country that hardly anybody conocia.
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Interior of the Cathedral of sens
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Interior_of_the_Cathedral_of_sens
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1874 painted from life pocoantes desu death, the theme, little frequent in corot, remits to the Dutch painting of the XVII and to the romanticos English, very given al mystery of the religious interiors.
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Self-Portrait
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Self-Portrait
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It painted immediately before its trip to ltalia to peticion of its famila, that queria to conserve a memory during the long absence.
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Corot_Camille
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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