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The Moulin of the Calette in Montmartre
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The_Moulin_of_the_Calette_in_Montmartre
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1840 they Lacked todavia many anuses so that the hill of Montmartre itself to Become place of Favorite residence of the painters in Paris and so that in this luar, even rural, the room of dance was installed al air free immortalized by renoir in its famous picture.
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The houses of cabassud
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The_houses_of_cabassud
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1835-1840 Corot passed long seasons in the property of its family in ville d'
avray.
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Path on the Rlo
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Path_on_the_Rlo
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With the excepcion of the groins Constable, ningun painter speaks presented with taanta boldness the idea of the landscape as fragmeto of nature, and not cmo alegoria or reconstruccion ideal and escenografica of an order arquetlpico.
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The castle of pierrefonds
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The_castle_of_pierrefonds
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Toward 1840-1845 As in the views of ciucdades, Corot chooses a distant point of view that permits him recogerel motive with amplitude
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The quai give paquis in geneva
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The_quai_give_paquis_in_geneva
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1841 criticizes has discussed It on the date of this picture, that at times is delayed until 1859 or even
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Corot_Camille
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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