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The miracle of the hl. Hugo
new17/Francisco de Zurbaran-689998.jpg
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The_miracle_of_the_hl._Hugo
mk186
1630-35
Sevilla, Museo Provincial de Bellas types
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The adoration of the shepherd
new17/Francisco de Zurbaran-669244.jpg
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The_adoration_of_the_shepherd
mk186
1638 Grenoble, muse of the Beaux-type
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Style life with lemon of orange and a rose
new17/Francisco de Zurbaran-327447.jpg
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Style_life_with_lemon_of_orange_and_a_rose
mk186
1633 Pasadena
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The Adoration of the Shepherds
new19/Francisco de Zurbaran-456283.jpg
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The_Adoration_of_the_Shepherds
nn09
1638-39
Oil on canvas
267x185cm
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Portrait of the Duke of Medinaceli
new19/Francisco de Zurbaran-477633.jpg
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Portrait_of_the_Duke_of_Medinaceli
Oil on canvas
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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