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The House of Nazareth
new22/Francisco de Zurbaran-867875.jpg
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The_House_of_Nazareth
1630 Oil on canvas Museum of Art, Cleveland Zurbar?n painted an important series of paintings for the Jeronymites of the monastery of Guadalupe. Here the mood varies from a vein of realism to visions of miracles and scenes of contemplation in which the mysticism of the great Estremaduran artist has mingled with his colors. Perhaps the finest of these scenes is the mystical House of Nazareth, in the Cleveland Museum. Artist:ZURBAR?N, Francisco de Title: The House of Nazareth, 1601-1650, Spanish , painting , religious
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christ crucified
new22/Francisco de Zurbaran-646878.jpg
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christ_crucified
1627
olja on canvas 290x168cm
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miraculous cure of the blessed reginaud of orleaans
new22/Francisco de Zurbaran-287858.jpg
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miraculous_cure_of_the_blessed_reginaud_of_orleaans
1626-1627
oil on canvas, 190x230cm
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the virgin appears to the monks of soriano
new22/Francisco de Zurbaran-973732.jpg
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the_virgin_appears_to_the_monks_of_soriano
1626-1627
oil on canvas, 190x230cm
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birth of st. pedro nolasco
new22/Francisco de Zurbaran-645494.jpg
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birth_of_st._pedro_nolasco
1628-1634
oil on canvas, 166x212cm
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Francisco_de_Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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