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St John the Baptist
new18/RAFFAELLO Sanzio-779896.jpg
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St_John_the_Baptist
c. 1518
Oil on canvas,
165 x 147 cm
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Psyche Offering Venus the Water of Styx
new18/RAFFAELLO Sanzio-847554.jpg
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Psyche_Offering_Venus_the_Water_of_Styx
1517
Red chalk,
263 x 197 mm
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St Paul Preaching in Athens
new18/RAFFAELLO Sanzio-562535.jpg
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St_Paul_Preaching_in_Athens
Tempera on paper,
mounted on canvas,
390 x 440 cm
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The Handing-over the Keys
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The_Handing-over_the_Keys
1515
Tempera on paper
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The Death of Ananias
new18/RAFFAELLO Sanzio-488593.jpg
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The_Death_of_Ananias
1515
Tempera on paper
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RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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