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Waist-length Figure of a Young Woman
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Waist-length_Figure_of_a_Young_Woman
1506
Pen and ink over stylus underdrawing, .
262 x 189 mm
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Study for the Disputa
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Study_for_the_Disputa
1509
Brush and white highlighting over stylus underdrawing, 280 x 285 mm
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Loggia of Pope Leo X
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Loggia_of_Pope_Leo_X
1518-19
Palazzi Pontifici
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Madonna della Tenda
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Madonna_della_Tenda
1514 Oil on wood, 65,8 x 51,2 cm
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Double Portrait
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Double_Portrait
1518 Oil on canvas, 90 x 83 cm
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RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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