Red Hills near Kingston,Jamaica
new2/Frederic E.Church-595534.jpg
Red_Hills_near_Kingston,Jamaica mk48
1865
Brush and oil paint on tan paperboard
9 1/4x14 7/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
Rain_Forest,jamaica,West_Indies mk48
April-August 1865
Brush and oil paint on paperboard
12x20in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
Plant_Study,Jamaica,West_Indies mk48
Brush and oil paint,graphite on cream paperboard
11 9/16x11 5/8in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
Thunder_Clouds,Jamaica mk48
August 1865
Brush and oil paint on cream paperboard
7 3/16x11 3/4in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
Cloudy_Skies mk48
August 1865
Brush and oil pain,graphite traces on thin paperboard
10 1/8x12in
Cooper-Hewitt,National Design Museum,Smithsoniam Institution,Gift of Louis P.Church
Frederic_E.Church 1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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