Horseshor_Falls,Niagara mk48
1856-57
Oil on two pieces of paper
joined
11 1/2x35 5/8in
Olana State Historic Site,New York State Office of Parks,Recreation and Historic Preservation
Palm Tres and Housetops,Ecuador
new2/Frederic E.Church-379373.jpg
INCHES
CM
High Quality
Museum Quality
16x20
40x50
$65
$69
20x24
50x60
$85
$89
24x36
60x90
$129
$139
30x40
75x100
$139
$149
36x48
90x120
$209
$209
48x72
120x180
$389
399
Palm_Tres_and_Housetops,Ecuador mk48
may 1857
Brush and oil paint,traces of graphite on thin paperboard
13 15/16x11 1/2in
Cooper-Hewitt,National Design Museum,Smithsonian Institusion,Gift of Louis P.Church
View of Cotopaxi
new2/Frederic E.Church-734578.jpg
INCHES
CM
High Quality
Museum Quality
16x20
40x50
$65
$69
20x24
50x60
$85
$89
24x36
60x90
$129
$139
30x40
75x100
$139
$149
36x48
90x120
$209
$209
48x72
120x180
$389
399
View_of_Cotopaxi mk48
1857
Oil on canvas
24 1/2x36 1/2in
The Art Institute of Chicago,Gift of Jennette Hamlin in Memory of Mr.and Mrs.Louis Dana Webster
Frederic_E.Church 1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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