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adam and eve
new20/Tintoretto-293643.jpg
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adam_and_eve
mk247
c.1550,oil on canvas,59x86.5 in,150x220 cm,gallerie dell-accademia,venice,ltaly
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Slave miracle
new20/Tintoretto-458267.jpg
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Slave_miracle
mk250 Year in 1548, Oil on canvas, about 426.7 x 548.6 cm. Venice Fine Arts Academy.
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The Last Supper
new20/Tintoretto-568939.jpg
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The_Last_Supper
mk250 Year in 1594. Oil on canvas, 365.8 x 569 cm. Venice, Italy, Maggiore Church of St. George's main altar.
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Madonna with Child and Donor,
new21/Tintoretto-784968.jpg
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Madonna_with_Child_and_Donor,
Madonna with Child and Donor, National Museum of Serbia, Belgrade
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Finding of the body of St Mark
new21/Tintoretto-335874.jpg
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Finding_of_the_body_of_St_Mark
Finding of the body of St Mark (1548).
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Tintoretto
Italian Mannerist Painter, ca.1518-1594
His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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