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St Mark Body Brought to Venice
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St_Mark_Body_Brought_to_Venice
St Mark's Body Brought to Venice (1548)
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The Deliverance of Arsenoe
new21/Tintoretto-335536.jpg
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The_Deliverance_of_Arsenoe
The Deliverance of Arsenoe (c. 1560).
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Miracle of the Slave
new21/Tintoretto-783966.jpg
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Miracle_of_the_Slave
Miracle of the Slave (1548).
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The Last Supper
new21/Tintoretto-923858.jpg
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The_Last_Supper
The Last Supper (1594).
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Christ at the Sea of Galilee
new22/Tintoretto-623646.jpg
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Christ_at_the_Sea_of_Galilee
1575/80 Oil on canvas, 117 x 168.5 cm National Gallery of Art, Washington *** Keywords: ************* Author: TINTORETTO Title: Christ at the Sea of Galilee, 1551-1600, Italian , painting , religious
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Tintoretto
Italian Mannerist Painter, ca.1518-1594
His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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