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Roger Delivering Angelica (mk05)
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Roger_Delivering_Angelica_(mk05)
1819
Canvas 58 x 75''(147 x 190 cm)Scene from Ariosto's Orlando Furioso,Canto X.Acquired at the Salon of 1819 INV. 5419 (MN)
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Madame Marrcotte de Sainte-Marie (mk05)
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Madame_Marrcotte_de_Sainte-Marie_(mk05)
1826
Canvas 36 1/2 x 29 1/4''(93 x 74 cm)Acquired in 1923 R.F 2398(MN)
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The Apotheosis of Homer (mk05)
new6/Jean Auguste Dominique Ingres-948577.jpg
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The_Apotheosis_of_Homer_(mk05)
1827
Canvas 152 x 201 1/2''(386 x 512 cm)Salons of 1827 and 1833;formerly the ceiling painting of the Salle Clarac(room 252);removed in 1855 and replaced by a copy INV 5417 (G/AR)
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The Sculptor Lorenzo Bartolini (mk05)
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The_Sculptor_Lorenzo_Bartolini_(mk05)
Florence 1820
Canvas 42 1/2 x 34''(108 x 86 cm)Donated by Carlos de Beistegui in 1942;entered the Louvre in 1953 R.F 1942-24 (MN)
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The Composer Cherubini with the Muse of Lyric Poetry (mk05)
new6/Jean Auguste Dominique Ingres-636479.jpg
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The_Composer_Cherubini_with_the_Muse_of_Lyric_Poetry_(mk05)
Paris 1842
Canvas 41 1/4 x 37''(105 x 94 cm)Acquired in 1842 INV 5423(G/AR)
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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