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Odalisque
new12/Jean Auguste Dominique Ingres-996865.jpg
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Odalisque
mk155
between 1824 and 1834
Oil on canvas
44.2x61.5cm
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Turkish Bath
new12/Jean Auguste Dominique Ingres-494893.jpg
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Turkish_Bath
mk155
1859-1863
Canvas on wood
110cm dia
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Napoleon I on his Imperial Throne
new21/Jean Auguste Dominique Ingres-983889.jpg
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Napoleon_I_on_his_Imperial_Throne
Napoleon I on his Imperial Throne, 1806, oil on canvas, 260 x 163 cm, Mus??e de l'Arm??e, Paris
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Madame Riviere
new21/Jean Auguste Dominique Ingres-467554.jpg
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Madame_Riviere
Madame Riviere, 1806, oil on canvas, 116.5 x 81.7 cm, Louvre
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La Grande Odalisque
new21/Jean Auguste Dominique Ingres-774345.jpg
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La_Grande_Odalisque
La Grande Odalisque, 1814, oil on canvas, 91 x 162 cm, Louvre. The subject's elongated proportions, reminiscent of 16th-century Mannerist painters, reflect Ingres's search for the pure form of his model
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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