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The Forge
new11/Francisco Goya-878744.jpg
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The_Forge
mk132
1812-16
Oil on canvas
181.6x125cm
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El Maragato points a gun on Friar Pedro
new11/Francisco Goya-233453.jpg
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El_Maragato_points_a_gun_on_Friar_Pedro
mk132
about 1806-07
Oil on panel
29.2x38.5cm
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Inquisition
new11/Francisco Goya-324285.jpg
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Inquisition
mk132
1812-19
Oil on panel
46x73cm
Royal Academy of San Fernando
Madrid
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The Colossus
new11/Francisco Goya-535576.jpg
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The_Colossus
mk132
about 1808-12
Oil on canvas
116x105cm
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Second of May 1808.1814
new11/Francisco Goya-234647.jpg
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Second_of_May_1808.1814
mk132
Oil on canvas
266x345cm
Museo del Prado
Madrid
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Francisco_Goya
1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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