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Third of May 1808.1814
new11/Francisco Goya-822594.jpg
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Third_of_May_1808.1814
mk132
Oil on canvas
266x345cm
Museo del Prado
Madrid
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Edouard Manet,Execution of Maximillian
new11/Francisco Goya-875847.jpg
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Edouard_Manet,Execution_of_Maximillian
mk132
1866
Oil on canvas
252x302cm
Kunsthalle,Manheim
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Cannibals preparing their victims
new11/Francisco Goya-457596.jpg
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Cannibals_preparing_their_victims
mk132
about 1800-08
Oil on panel
32.8x46.9cm
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Cannibals gazing at their victims
new11/Francisco Goya-572737.jpg
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Cannibals_gazing_at_their_victims
mk132
about 1800-08
Oil on panel
32.7x47.2cm
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Corral de Locos
new11/Francisco Goya-985439.jpg
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Corral_de_Locos
mk132
1793-94
Oil on tinplate
43.8x32.7cm
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Francisco_Goya
1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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