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The violent opposing Divine odrder in the fiery sands (mk36)
new8/Sandro Botticelli-648382.jpg
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The_violent_opposing_Divine_odrder_in_the_fiery_sands_(mk36)
Punishment of the sodomites,Conversation with Brunetto Latini Vatican City,Biblioteca Apostolica Vaticana,Reginense lat
1896,cm99r.
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Fra Angelico,Ordination of St Lawrence (mk36)
new8/Sandro Botticelli-328359.jpg
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Fra_Angelico,Ordination_of_St_Lawrence_(mk36)
Vatican City,Palazzi vaticani
Cappella Niccolina
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Pietro Perugino,Consigning the Keys (mk36)
new8/Sandro Botticelli-297899.jpg
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Pietro_Perugino,Consigning_the_Keys_(mk36)
1482
Vatican City,
Sistine Chapel.
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Cosimo Rosselli and Assistants,Moses receiving the Tablets of the Law and Worship of the Golden Calf (mk36)
new8/Sandro Botticelli-439828.jpg
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Cosimo_Rosselli_and_Assistants,Moses_receiving_the_Tablets_of_the_Law_and_Worship_of_the_Golden_Calf_(mk36)
1481
Vatican City,Sistine Chapel
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Trials of Moses (mk36)
new8/Sandro Botticelli-274695.jpg
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Trials_of_Moses_(mk36)
1481-1482
Vatican City,Sistine Chapel
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Sandro_Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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