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The Virgin with the rabbit
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The_Virgin_with_the_rabbit
mk166
1530
I Wave on cloth
71x87cm
Museum of the Louvre Paris
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Pope Paul III
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Pope_Paul_III
MK169
1543 Cloth 106x85cm Museo e Galleria Nazionale Tue-Capodimonte, Napels
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The heaven speed of Maria
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The_heaven_speed_of_Maria
MK169
1516-18 Pane
l 6.9x3.6m S. Maria Gloriosa dei Frari, Venetie
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Venus of Urbino
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Venus_of_Urbino
MK169
1538 Cloth 119.4x165.1cm Uffizi, Florence
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The robbery of Europe
new16/Titian-727495.jpg
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The_robbery_of_Europe
MK169
1559-62 Shut down 185.4x205.7cm
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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