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the rape of europa
new20/Titian-756576.jpg
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the_rape_of_europa
mk247
1559 to 62,oil on canvas,72.875x112 in,185x285 cm,lsabella stewart gardner museum,boston,ma,usa
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venus of urbino
new20/Titian-642375.jpg
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venus_of_urbino
mk247
1538,oil on canvas,46.875x65 in,119x165 cm,uffizi,florence,ltaly
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assumption of the virgin
new20/Titian-549777.jpg
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assumption_of_the_virgin
mk247
1516 to 18,oil on wood,272x142 in,santa maria gloriosa dei frari,venice,ltaly
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Assumption
new20/Titian-323226.jpg
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Assumption
mk250 Venice, Italy, the glory of Free Church of Our Lady, about the year in 1516-1518. Canvas board, 685.8 x 360.7 cm.
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Our Lady of the Pesaro family
new20/Titian-545392.jpg
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Our_Lady_of_the_Pesaro_family
mk250 Venice, Italy, Fu Lali Church of Our Lady, the year 1519 -1526, Oil on canvas, 488 x 275 cm around.
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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