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Count Baldassare Castiglione
new19/Raphael-664674.jpg
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Count_Baldassare_Castiglione
mk231
1514
Oil on canvas
82x67cm
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The Miraculous Draught of Fishes
new19/Raphael-263773.jpg
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The_Miraculous_Draught_of_Fishes
mk231
1515
Oil on paper
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Virgin and Child with SS.John the Baptist and Nicholas
new19/Raphael-722475.jpg
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Virgin_and_Child_with_SS.John_the_Baptist_and_Nicholas
mk231
c.1506
Oil on canvas
81.7x58in
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marriage of the virgin
new20/Raphael-263623.jpg
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marriage_of_the_virgin
mk247
1504,oil on panel,66.875x46.5 in,170x118 cm,pinacoteca di brera,milan,ltaly
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school of athens
new20/Raphael-926346.jpg
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school_of_athens
1510 to11 ,fresco,303.125 in,770 cm(width at base),vatican museums and galleries,vatican city,ltaly
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Raphael
Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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