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The Miraculous Draught of fishes
new18/Raphael-687958.jpg
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The_Miraculous_Draught_of_fishes
mk216
it's a miracle tha Raphael's seven tapestry cartoons survive for they are paintd in warter-colour on a fragile jig-saw of paper piecces glued together.
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Angel
new19/Raphael-733254.jpg
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Angel
nn09
c.1180
Stained glass
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Detail of Madonna del Baldacchino
new19/Raphael-336675.jpg
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Detail_of_Madonna_del_Baldacchino
nn09
c.1507
Oil on wood
277x224cm
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SaintMichael Trampling the Dragon
new19/Raphael-779952.jpg
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SaintMichael_Trampling_the_Dragon
nn09
1518
Oil on canvas
270x160cm
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Cartoon for Tapestry,Christ-s Charge to St.Peter
new19/Raphael-622754.jpg
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Cartoon_for_Tapestry,Christ-s_Charge_to_St.Peter
mk231
1515-16
Oil on paper
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Raphael
Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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