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St Francis before the Sultan
new19/GIOTTO di Bondone-423786.jpg
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St_Francis_before_the_Sultan
1325 Fresco, 280 x 450 cm
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Christ Enthroned
new19/GIOTTO di Bondone-694446.jpg
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Christ_Enthroned
c. 1330 Tempera on panel
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St John the Evangelist
new19/GIOTTO di Bondone-588795.jpg
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St_John_the_Evangelist
1320-25 Tempera on wood, 81 x 55 cm
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Martyrdom of Peter
new19/GIOTTO di Bondone-523535.jpg
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Martyrdom_of_Peter
c. 1330 Tempera on panel
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The Stefaneschi Triptych
new19/GIOTTO di Bondone-727642.jpg
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The_Stefaneschi_Triptych
c. 1330 Tempera on panel, 220 x 245 cm
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GIOTTO_di_Bondone
Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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