Alma-Tadema, Sir Lawrence

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 Alma-Tadema, Sir Lawrence A Coign of Vantage oil painting artist
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     A Coign of Vantage
     new16/Alma-Tadema, Sir Lawrence-986489.jpg
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  A_Coign_of_Vantage
mk156 1895 Oil on canvas 64.2x45cm
 Alma-Tadema, Sir Lawrence This is our Corner oil painting artist
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     This is our Corner
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  This_is_our_Corner
mk164 1873 Rijksmuseum Amsterdam
 Alma-Tadema, Sir Lawrence Pleading oil painting artist
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     Pleading
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INCHES CM High Quality Museum Quality
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  Pleading
mk174 1876 Oil on canvas laid on panel 21.5x35.6cm
 Alma-Tadema, Sir Lawrence Sunny Days oil painting artist
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     Sunny Days
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
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  Sunny_Days
mk23 1874 Oil on canvas 21.5x34.2cm
 Alma-Tadema, Sir Lawrence Portrait of Sir Henry Thompson oil painting artist
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     Portrait of Sir Henry Thompson
     new12/Alma-Tadema, Sir Lawrence-548776.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Portrait_of_Sir_Henry_Thompson
mk23 1878 Oil on wood 28.1x20.9cm
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     Alma-Tadema,_Sir_Lawrence
    b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.
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