Pieter Aertsen

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 Pieter Aertsen The Egg Dance oil painting artist
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     The Egg Dance
     Pieter Aertsen1.jpg
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  The_Egg_Dance
1557 Rijksmuseum, Amsterdam
 Pieter Aertsen The Adoration of the Shepherds oil painting artist
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     The Adoration of the Shepherds
     Pieter Aertsen2.jpg
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16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 
  The_Adoration_of_the_Shepherds
Musee des Beaux-Arts, Rouen
 Pieter Aertsen Market Scene oil painting artist
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     Market Scene
     Pieter Aertsen3.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 
  Market_Scene
Wallraf-Richartz Museum
 Pieter Aertsen Market Scene_a oil painting artist
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     Market Scene_a
     Pieter Aertsen4.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 
  Market_Scene_a
1550 Pinakothek, Munich
 Pieter Aertsen Market Woman with Vegetable Stall oil painting artist
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     Market Woman with Vegetable Stall
     Pieter Aertsen5.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 
  Market_Woman__with_Vegetable_Stall
1567 Staatliche, Berlin
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     Pieter_Aertsen
    1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).
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