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Conjugal allegory Louvre
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Conjugal_allegory__Louvre
ca. 1530(1530)
Medium Oil on canvas
Dimensions 123 ?? 107 cm (48.4 ?? 42.1 in)
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Mater Dolorosa
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Mater_Dolorosa
Date c. 1555
Medium Oil on wood
Dimensions 68 x 61 cm
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Maria Magdalena
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Maria_Magdalena
Deutsch: um 1565
English: c. 1565
Medium Oil on canvas
Dimensions Deutsch: 119 ?? 98 cm
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Christ Carrying the Cross
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Christ_Carrying_the_Cross
oil on canvas painting by Titian, 67 x 77 cm, c. 1565. Museo Nacional del Prado
Date c. 1565
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Salome con la testa del Battista
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Salome_con_la_testa_del_Battista
c. 1515
Oil on canvas
90 ?? 72 cm
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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