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Portrait of the Doge Francesco Venier
new24/Titian-374757.jpg
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Portrait_of_the_Doge_Francesco_Venier
between 1554(1554) and 1556(1556)
Medium Oil on canvas
cyf
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Profane Love - Vanity
new24/Titian-964775.jpg
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Profane_Love_-_Vanity
Profane Love - Vanity (1514-15, Oil on canvas)
cjr
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Charles V at Muhlberg
new24/Titian-433569.jpg
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Charles_V_at_Muhlberg
1548
Medium Oil on canvas
cyf
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Portrat des Vicenzo Mosti
new24/Titian-393797.jpg
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Portrat_des_Vicenzo_Mosti
ca. 1526(1526)
Medium Deutsch: Öl auf Holz, auf Leinwand xbertragen
Dimensions Height: 85 cm (33.5 in). Width: 66 cm (26 in).
cyf
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Portrait of the Doge Francesco Venier
new24/Titian-454397.jpg
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Portrait_of_the_Doge_Francesco_Venier
between 1554(1554) and 1556(1556)
Medium Oil on canvas
cyf
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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