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La Primavera (mk39)
new8/Sandro Botticelli-626989.jpg
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La_Primavera_(mk39)
1477
Tempera on wood
80x123 5/8in
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Porfile of a Young Woman (mk45)
new2/Sandro Botticelli-995596.jpg
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Porfile_of_a_Young_Woman_(mk45)
after 1480
Oil on panel
47.5x35cm
Berlin,Staatliche Mussn zu Berlin-Preubischer Kulturbesitz,Gemaldegalerie
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Young Man With a Medallion of Cosimo (mk45)
new2/Sandro Botticelli-964472.jpg
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Young_Man_With_a_Medallion_of_Cosimo_(mk45)
c.1474
Oil on panel
57x44cm
Florence,Galleria degli Uffizi
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Adoration of the Magi
new2/Sandro Botticelli-985456.jpg
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Adoration_of_the_Magi
1476
Tempera on wood
111x134cm
Uffizi,Florence
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Detail from the Adoraton of the Magi
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Detail_from_the_Adoraton_of_the_Magi
mk52
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Sandro_Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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