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Giusto Utens
new2/Sandro Botticelli-748926.jpg
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Giusto_Utens
The Villa di cafaggiolo (late 16 century)Florence,Museo Topografico. (mk57)
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St Augustine in his Study
new2/Sandro Botticelli-846593.jpg
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St_Augustine_in_his_Study
c 1480
detached fresco.Florence,Ognissanti. (mk57)
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Domenico Ghirlandaio
new2/Sandro Botticelli-994633.jpg
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Domenico_Ghirlandaio
St jerome in his Study (c.1480)detached fresco.
Florence,Ognissanti. (mk57)
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St Augustine in his Study
new2/Sandro Botticelli-496634.jpg
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St_Augustine_in_his_Study
c 1480
detail of lectern with open book.Florence,Ognissanti. (mk57
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St Augustine in his Study
new2/Sandro Botticelli-297843.jpg
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St_Augustine_in_his_Study
c 1480 detail of the armillary sphere.Florence,Ognissanti. (mk57
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Sandro_Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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