Domenico Ghirlandaio stories of St john the Baptist the Visitation
new2/Sandro Botticelli-438756.jpg
Domenico_Ghirlandaio_stories_of_St_john_the_Baptist_the_Visitation c 1490
detail of the fresco with (from right )Lucrezia Tornabuoni,Mother of Lorenzo,and Giovanna degli Albizi,Possibly represented twice as indicated by the jewel Florence,Santa Maria Novella,Cappella Tornabuoni (mk57)
Venus and the Graces offering gifts to a youg woman
new2/Sandro Botticelli-676372.jpg
INCHES
CM
High Quality
Museum Quality
16x20
40x50
$89
$99
20x24
50x60
$109
$119
24x36
60x90
$139
$159
30x40
75x100
$169
$199
36x48
90x120
$249
$249
48x72
120x180
$459
469
Venus_and_the_Graces_offering_gifts_to_a_youg_woman Giovanna degli Albizi Tornabuoni?
c 1486 detached fresco from villa Lemmi at Legnaia.Paris,Musee du Louvre.(mk57)
Bardi_Altarpiece Detail of the Virgin represented as "Madonna del latte" and of vase with the icon of the Crucifixion.Berlin,Staatliche Museen,Gemaldegalerie (mk57)
Sandro_Botticelli Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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