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Konungarnas worship
new19/Sandro Botticelli-836966.jpg
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Konungarnas_worship
mk234
ca.1485-86
175x280cm
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la primavera
new20/Sandro Botticelli-448235.jpg
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la_primavera
mk247
c.1478.tempera on poplar,80x123.5 in,203x314 cm,uffizi,florence,ltaly
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birth of venus
new20/Sandro Botticelli-624526.jpg
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birth_of_venus
mk247
1482 to 86,tempera on canvas,68x109.5 in,172.5x278.5 cm,uffizi,florence,ltaly
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st.augustine in the cell
new20/Sandro Botticelli-265936.jpg
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st.augustine_in_the_cell
mk247
1490 to 94,tempera on panel,16x10.5 in,41x27 cm ,uffizi,florence,ltaly
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calumny of apelles
new20/Sandro Botticelli-878945.jpg
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calumny_of_apelles
mk247
1494 to 95 ,tempera on wood panel,24.25x35.75 in,61x91 cm,uffizi,florence,ltaly
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Sandro_Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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