|
|
Ivan Argunov
|
Portrait_of_Countess_Tolstaya,_nee_Lopukhina
|
1768(1768)
_
Medium_oil_on_canvas
_
Dimensions_96.5_x_78.5_cm_(38_x_30.9_in)
_
cjr
|
|
|
|
|
Click to Enlarge
|
Ivan_Argunov
|
Portrait of Countess Tolstaya, nee Lopukhina
new26/Ivan Argunov-346436.jpg
|
|
|
|
|
1768(1768)
Medium oil on canvas
Dimensions 96.5 x 78.5 cm (38 x 30.9 in)
cjr |
|
Russian Rococo Era Painter , 1727/1729-1802
Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.
|
|
|
|
|
|