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Painting:: all people --> Style:: man
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Artist: Bartolome Esteban Murillo

Gentleman Portrait
Painting ID::  62659
mk284 Oil on canvas 1670 198 x 127 cm Madrid, Museo del Prado

Artist: Winslow Homer

Front-line players
Painting ID::  62666
mk285 Oil Painting 60.9 x 96.5 cm Metropolitan Museum of Art, New York

Artist: Francisco de goya y Lucientes

The Miracle of St Anthony
Painting ID::  62829
1798 Fresco, width of detail 50 cm San Antonio de la Florida, Madrid Artist: GOYA Y LUCIENTES, Francisco de Title: The Miracle of St Anthony (detail) , painting Date: 1801-1850 Spanish : religious

Artist: Jean Baptiste Greuze

Septimius Severus and Caracalla
Painting ID::  62844
1769 Oil on canvas, 124 x 160 cm Musee du Louvre, Paris This painting by Greuze is frankly Poussin-like. The artist wished to be recognized as a history painter; he chose an obscure subject to illustrate: Septimius Severus Roman emperor (146e11) reproaches his son, Caracalla for trying to assasinate him. Varied emotions are at work within it: from Caracalla's angry shame to the surprise of the chamberlain, Castor, at the emperor's recklessly heroic gesture which is at once a challenge and a rebuke. Artist: GREUZE, Jean-Baptiste Title: Septimius Severus and Caracalla Date: 1751-1800 French , painting : historical

Artist: Theodore Gericault

The Epsom Derby
Painting ID::  62847
1821 Oil on canvas, 92 x 122 cm Musee du Louvre, Paris Painted in 1821, during Gericault's stay in London, the canvas takes its inspiration from English sporting prints, which frequently depict horses at the 'flying gallop' shown by the painter here. The invention of photography, by allowing the various movements of a galloping animal to be analysed, would allow it to be painted accurately, as Degas was to do in his Race-course paintings. Artist: GeRICAULT, Theodore Title: The Epsom Derby , painting Date: 1801-1850 French : other

Artist: Michelangelo Buonarroti

Ignudo
Painting ID::  62918
Vatican The picture shows the Ignudo at the lower left corner of the Sacrifice of Noah (above the Erythraean Sibyl). The ignudi in the third bay are painted with greater fluency and the modeling is more delicate - with greater attention being paid to the reflections and the subtle effects of light and shade - than those of the first bay. Moreover, their poses are no longer wholly symmetrical. In fact, in the two figures on the left, only the lower part of the body is symmetrical, while the twisting of the bust and the head are expressions of contrapposto. The right arms of both are, however, extended toward the centre in order to hold the ribbon supporting the medallion. On the other hand, the ignudi on the right lean out toward the exterior, and the only difference between them appears to be the position of their arms. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious

Artist: Michelangelo Buonarroti

Ignudo
Painting ID::  62919
Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the upper right corner of the Sacrifice of Noah (above the prophet Isaiah). The ignudi in the third bay are painted with greater fluency and the modeling is more delicate - with greater attention being paid to the reflections and the subtle effects of light and shade - than those of the first bay. Moreover, their poses are no longer wholly symmetrical. In fact, in the two figures on the left, only the lower part of the body is symmetrical, while the twisting of the bust and the head are expressions of contrapposto. The right arms of both are, however, extended toward the centre in order to hold the ribbon supporting the medallion. On the other hand, the ignudi on the right lean out toward the exterior, and the only difference between them appears to be the position of their arms. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious

Artist: Michelangelo Buonarroti

Ignudo
Painting ID::  62920
1509-10 Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the lower left corner of the Creation of Eve (above the prophet Ezekiel). In the four ignudi of the fifth bay who hold the yellow ribbons interwoven with the bronze-coloured medallions, the use of contrapposta with a variety of gestures and poses has now been replaced the symmetrical arrangement of figures. The relationship between the figures, placed opposite each other in pairs, is based on increasingly free and complex rhythmical correspondences, with rotating movements and pronounced bendings of the limbs. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious

Artist: Michelangelo Buonarroti

Ignudo
Painting ID::  62921
1509-10 Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the lower right corner of the Creation of Eve (above the Cumaean Sibyl). In the four ignudi of the fifth bay who hold the yellow ribbons interwoven with the bronze-coloured medallions, the use of contrapposta with a variety of gestures and poses has now been replaced the symmetrical arrangement of figures. The relationship between the figures, placed opposite each other in pairs, is based on increasingly free and complex rhythmical correspondences, with rotating movements and pronounced bendings of the limbs. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious

Artist: Michelangelo Buonarroti

Ignudo
Painting ID::  62924
Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the lower left corner of the Separation of the Earth from the Waters (above the Persian Sibyl). The poses of the pairs of ignudi become gradually more dynamic and agitated. The two above the Persian Sibyl (at the left) bend backward in opposite directions, while one of those above the prophet Daniel (at right) bends forward, casting an apprehensive glance at the viewer, and the other raises his arm in a movement reminiscent of Hellenistic sculptures of dancing fauns. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious

Artist: Michelangelo Buonarroti

Ignudo
Painting ID::  62925
1511 Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the lower right corner of the Separation of the Earth from the Waters (above the prophet Daniel). The poses of the pairs of ignudi become gradually more dynamic and agitated. The two above the Persian Sibyl (at the left) bend backward in opposite directions, while one of those above the prophet Daniel (at right) bends forward, casting an apprehensive glance at the viewer, and the other raises his arm in a movement reminiscent of Hellenistic sculptures of dancing fauns. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious

Artist: Michelangelo Buonarroti

Ignudo
Painting ID::  62926
1511 Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the upper right corner of the Separation of the Earth from the Waters (above the prophet Daniel). The poses of the pairs of ignudi become gradually more dynamic and agitated. The two above the Persian Sibyl (at the left) bend backward in opposite directions, while one of those above the prophet Daniel (at right) bends forward, casting an apprehensive glance at the viewer, and the other raises his arm in a movement reminiscent of Hellenistic sculptures of dancing fauns. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious

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Painting:: people --> Style:: man
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